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Expert answer:Jacob Lawrence Self Portrait Museum Exhibition Art - Ray writers
  

Solved by verified expert:FINAL PROJECT – Art Curator Imagine that you are Curator for a museum exhibition on one of the topics below, and that you must submit a report to the
museum’s Board Members providing an overview of your exhibition. Since you cannot show the Board Members all the artworks
you plan to include your exhibit, select SIX images which you feel best showcase the theme and scope of your exhibition. TOPICS – SELECT ONE (Artworks/Artists must be from the modern era (mid-late 19th, 20th, 21st centuries): (NOTE: Topics are broad – you will need to narrow your focus – present a specific theme!). • Power and Status • Group Portraiture • The Stages of Life • Gender and/or Identity • Individuality • Self-Portraiture • Twentieth and/or Twenty-first century Portraiture
• Portraiture through Photography ASSIGNMENT: Select a specific THEME and TITLE for your exhibition and present SIX works of art that exemplify your exhibition’s
theme. Write an overview “introduction panel” of the exhibition and six separate “wall labels” with information on the works you
have chosen to reflect the scope of your exhibition. Use artists/artworks we have discussed in class, in our textbooks, or articles. (ppt will be provided so you can select the paintings from the three ppt) Your “report” should be divided into seven sections (no need for conclusion): 1) Introductory Panel: Includes title of exhibit and summary of the scope of the exhibit. 2) Wall Label: Includes, artist, title, date – followed by information on the art and/or artist. 3) Wall Label: Includes, artist, title, date – followed by information on the art and/or artist. 4) Wall Label: Includes, artist, title, date – followed by information on the art and/or artist. 5) Wall Label: Includes, artist, title, date – followed by information on the art and/or artist.
6) Wall Label: Includes, artist, title, date – followed by information on the art and/or artist. 7) Wall Label: Includes, artist, title, date – followed by information on the art and/or artist.
Introductory “Panel” – TITLE OF EXHIBITION and the words/text museum visitors will see posted on the wall as they entered your
exhibition. Write the text for the introduction wall panel – this is what greets visitors. The panel text should include the title of your
exhibit, and a statement summarizing the theme of your exhibition, explaining the overall scope (2-3 rich, concise, and informative
paragraphs (minimum of 225 words) – links at bottom for examples). Identification “Wall Labels”-Write one label for each of the six artworks you have selected to highlight your exhibit, to best reflect
the overall scope of your exhibit. These Wall Labels would be posted next to your art in the exhibit to give visitors more specific
information on the artwork, artist, theme, objects within the artwork explained, etc.
Labels should include the name of the artist, title (in italics), date and then several sentences of explanation or information about
that work, artist, or art style. Each label must contain useful, interesting, relative material that enhances the viewers
knowledge/enjoyment of the artwork. Write a separate label for each (minimum 125 words). to include at least two citations per
artwork, listed at the bottom of each wall label (Not required for Introduction Panel). Click links below for examples. Note: Although this is not a formal essay – and you are not required to write an introductory paragraph or conclusion,
academic-level formal writing is expected, therefore: – Do not write in first person (avoid “I” “you” “we” “our” etc.) – Do not use contractions (write do not rather than don’t) – Except for dates of artworks or years of artist’s lives, write numbers with words (nineteenth century rather than 19th century). – Do not record your opinions or write descriptions of what the viewer can see for themselves. – Edit carefully for grammar and spelling.
– You will have to do research to create factual, informative information (do not make guesses, mere observations, or speculations),
although citations are not found on museum labels. However, you are required to include at least two citations per artwork, listed
at the bottom of each wall label. EXAMPLES: (Click to see examples from various museum on overall exhibits (Exhibition Introductory Panels) and individual artworks Introductory Panels:
https://www.metmuseum.org/exhibitions/listings/201… http://seattleartmuseum.org/exhibitions/graphicmas… http://seattleartmuseum.org/exhibitions/migration https://www.brooklynmuseum.org/exhibitions/stonewa… https://www.metmuseum.org/art/collection/search/33… (with a lot of info) – http://www.artic.edu/exhibition/saints-and-heroes-… (too brief – I expect more with your introductory panels) – http://www.artic.edu/exhibition/medieval-world-our… Wall labels:
https://www.metmuseum.org/art/collection/search/43… https://www.metmuseum.org/art/collection/search/45… https://www.metmuseum.org/art/collection/search/45… (with a lot of info) – https://www.metmuseum.org/art/collection/search/33…
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Francis Picabia, Ici, C’est Ici Stieglitz Foi et Amour (Alfred Stieglitz), 1915
Andy Warhol, Jackie, 1964
Jacob Lawrence, Self-Portrait, ca. 1965 and 1996
Charles Demuth, The Figure Five in Gold, 1928
Gustav Klimt, Adele Bloch-Bauer I, 1907
Edward Steichen, Gloria Swanson, 1924
Chuck Close, Fanny / Fingerprints,1985
Dorothea Lange, Migrant Mother, 1936
Diane Arbus, Mrs. T. Charlton Henry
on a couch in her Chestnut Hill
home, Philadelphia, PA, 1965
Stanley Spencer, Portrait of Patricia Preece, 1933
(note: image is reversed in textbook)
Alfred Stieglitz, Georgia O’Keeffe, 1918, platinum print
Marcel Duchamp, L.H.O.O.Q., 1919
Roy Lichtenstein, Robert F. Kennedy for Time Magazine, May 24, 1968
Kehinde Wiley, Official Presidential portrait of Barak Obama, 2018
Aaron Shikler, John F. Kennedy, 1970
Simmie Knox, William Jefferson “Bill” Clinton, 2001
Robert Colescott, George Washington Carver Crosses the Delaware, 1985
Edvard Munch, Self-Portrait with
Cigarette, 1895
Pierre-Auguste Renoir, Dance at Bougival, 1883
Théophile Steinlen, Scènes
Impressionnistes (Mothu et Doria), 1876
Hans Heyerdahl, Nude with
Cigarette, ca. 1887
Édouard Manet, Plum
Brandy, 1877-78
Suzanne Valadon, Blue Room, 1923
Vincent van Gogh, Self Portrait Dedicated to Paul Gauguin, 1888
William Henry Cotton, Frances Perkins, ca. 1935
Richard Avedon, Self-Portrait, 1978
Richard Avedon, Marilyn Monroe, New York City, May 6, 1957
Chuck Close, Self-Portrait, 2004-05
Salvador Dali, Self-Portrait with Fried Bacon, 1941
Ernst Ludwig Kirchner, Self Portrait as a Soldier, 1915
Claes Oldenburg, Symbolic Self-Portrait
with “Equals,” 1971
Yayoi Kusama, Self-Portrait, 2010
Ellen Day Hale, Self Portrait, 1885
Alfred Stieglitz, Georgia O’Keeffe, 1918, platinum print
Tracy Emin, My Bed, (Autobiography), 1998
Suzanne Valadon, The Abandoned Doll (The Cast-off Doll, 1921
Pablo Picasso, Girl Before a Mirror, 1932
Berthe Morison, The Psyche Mirror (Devant la Psyché), 1876
John Everett Millais,
Mariana, 1851
Dante Gabriel Rossetti,
Beata Beatrix, 1864-70
Tate Gallery
Mary Cassatt, Reading “Le Figaro,” ca. 1877-78
Edgar Degas, Portrait of Edmond Duranty, 1879
Laura Knight, Corporal J. M. Robins,
Women’s Auxiliary Air Force, 1941
Thomas Eakins, The Concert Singer (Weda Cook), 1890-92
Robert Henri, Gertrude Vanderbilt Whitney, 1916
Edouard Manet, Olympia, 1863
Pablo Picasso, Gertrude Stein, 1905-06
Tom Hachtman, Gloria Steinem, 1984
Annie Lieowitz, Ellen DeGeneres, Kuai, Hawaii, 1997
William Henry Cotton, Frances Perkins, ca. 1935
Ellen Day Hale, Self Portrait, 1885
Laura Knight, Self Portrait, 1913
Lottie Laserstein, Self-portrait with Cat, 1928
Tsuguharu Foujita, Self-portrait with Cat, 1928
Max Beckmann, Self Portrait in Tuxedo, 1927
Robert Mapplethorpe, Self-portrait, 1980
Frida Kahlo, Broken Column, 1944

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